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Bhimpalasi
भीमपलासी
KafiPlayful, romantic
Musical Structure
Pakad (Signature)
g M P n D P M g R S
Aaroh (Ascending)
S g M P n Ṡ
Avroh (Descending)
Ṡ n D P M g R S
Vadi (Key Note)
M
Samvadi
S
Rules
- Uses komal Ga (g) and komal Ni (n)
- R and D are varjit in aaroh, used in avroh
- M (vadi) and S (samvadi) are the anchor notes
- Afternoon raga — one of the most popular late afternoon ragas
- The g M P ascending phrase is characteristic
Key Phrases
g M P n D PM g R SS g M P n ṠṠ n D P M g R SP n D P M g