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Bhimpalasi
भीमपलासी
KafiPlayful, romantic
Musical Structure
Pakad (Signature)
ga ma Pa ni Dha Pa ma ga Re Sa
Aaroh (Ascending)
Sa ga ma Pa ni •Sa
Avroh (Descending)
•Sa ni Dha Pa ma ga Re Sa
Vadi (Key Note)
ma
Samvadi
Sa
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Rules
- Uses komal Ga (g) and komal Ni (n)
- R and D are varjit in aaroh, used in avroh
- m (vadi) and S (samvadi) are the anchor notes
- Afternoon raga — one of the most popular late afternoon ragas
- The g m P ascending phrase is characteristic
Key Phrases
g m P n D Pm g R SS g m P n ṠṠ n D P m g R SP n D P m g