Riyaz

रियाज़सन्ध्या
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Bihag

बिहाग

KalyanRomantic, peaceful

Musical Structure

Pakad (Signature)
 Ga  ma  Ga · Ni• Sa  Ga  ma  Pa 
Aaroh (Ascending)
 Sa  Ga  ma  Pa  Ni •Sa 
Avroh (Descending)
•Sa  Ni  Dha  Pa  ma  Ga  Re  Sa 
Vadi (Key Note)
 Ga 
Samvadi
 Ni 
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Rules

  • Uses shuddh Ma — not tivra Ma (despite Kalyan thaat classification)
  • R and D are varjit (omitted) in aaroh, used in avroh
  • G (vadi) and N (samvadi) are prominent notes
  • The G m G oscillation is the hallmark phrase
  • The N. S G approach from mandra Ni to Sa to Ga is essential

Key Phrases

N. S G m GG m P N ṠṠ N D P m G R Sm G R S N. SG m P D P m G

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