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Gaud Sarang
गौड़ सारंग
KalyanRomantic, peaceful
Musical Structure
Pakad (Signature)
Re Ga ma Re Sa · Sa Re ma Pa
Aaroh (Ascending)
Sa Re Ga ma Pa Ni •Sa
Avroh (Descending)
•Sa Ni Pa ma Ga Re Sa
Vadi (Key Note)
Re
Samvadi
Pa
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Rules
- Uses shuddh Ma — despite being in Kalyan thaat
- D is varjit (omitted) in avroh
- R (vadi) and P (samvadi) are the anchor notes
- The R G m R S vakra movement is characteristic
- Afternoon raga — has a bright, midday energy
Key Phrases
R G m R SS R m P N ṠṠ N P m G R SS R G m PP N Ṡ N P m G R S