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Hameer
हमीर
KalyanRomantic, peaceful
Musical Structure
Pakad (Signature)
D N S R G M̃, M̃ D P
Aaroh (Ascending)
S R G M̃ D N Ṡ
Avroh (Descending)
Ṡ N D P M̃ G M R S
Vadi (Key Note)
D
Samvadi
G
Rules
- Primarily uses tivra Ma (M̃); shuddh Ma appears in avroh only
- The shuddh Ma in avroh (G M R S) is characteristic
- D (vadi) and G (samvadi) take prominence
- Pa is omitted in aaroh
- The D N S phrase in upper octave is important
Key Phrases
D N Ṡ Ṙ Ġ M̃M̃ D P M̃ G M R SS R G M̃ D N ṠD N S R G M̃G M R S