Riyaz

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Hameer

हमीर

KalyanRomantic, peaceful

Musical Structure

Pakad (Signature)
 Dha  Ni  Sa  Re  Ga  ma ·ˈMa  Dha  Pa 
Aaroh (Ascending)
 Sa  Re  Ga  ma  Dha  Ni Sa 
Avroh (Descending)
Sa  Ni  Dha  Pa ˈMa  Ga  ma  Re  Sa 

Vadi (Key Note)
 Dha 
Samvadi
 Ga 

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Rules

  • Primarily uses shuddh Ma (m); tivra Ma (M) colors the M D P phrase
  • The shuddh Ma in avroh (G m R S) is characteristic
  • D (vadi) and G (samvadi) take prominence
  • Pa is omitted in aaroh
  • The D N S phrase in upper octave is important

Key Phrases

D N Ṡ Ṙ Ġ mM D P M G m R SS R G m D N ṠD N S R G mG m R S

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