Riyaz

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Madhuvanti

मधुवंती

TodiProfound, serious

Musical Structure

Pakad (Signature)
 ga  ma  Pa · ma  Pa  Ni  Dha  ma 
Aaroh (Ascending)
 Sa  ga  ma  Pa  Ni •Sa 
Avroh (Descending)
•Sa  Ni  Dha  Pa  ma  ga  re  Sa 
Vadi (Key Note)
 Pa 
Samvadi
 Sa 
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Rules

  • Uses komal Ga (g) and shuddh Ma (m) with Pancham (P)
  • Shuddh Ma (m) is used throughout
  • R varjit in aaroh; r used in avroh. Pancham is essential in both directions
  • P (vadi) and S (samvadi) are the anchor notes
  • The komal Ga with shuddh Ma and Pancham define the raga

Key Phrases

g m P m P N D mS g m P N ṠṠ N D P m g r Sm P N D mg m P r S

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