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Maru Bihag
मारू बिहाग
KalyanRomantic, peaceful
Musical Structure
Pakad (Signature)
G M̃ P, N D P M̃ G
Aaroh (Ascending)
S G M̃ P N Ṡ
Avroh (Descending)
Ṡ N D P M̃ G R S
Vadi (Key Note)
G
Samvadi
N
Rules
- Uses tivra Ma (M̃) — this distinguishes it from Bihag
- R is varjit (omitted) in aaroh, used in avroh
- G (vadi) and N (samvadi) take prominence
- Like Bihag in structure but the tivra Ma gives a Yaman-like flavor
- D is omitted in aaroh but used in avroh
Key Phrases
G M̃ P N ṠN D P M̃ GS G M̃ PṠ N D P M̃ G R SM̃ G R S N. S G