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Puriya
पूरिया
MarwaIntense, restless
Musical Structure
Pakad (Signature)
Ni re Ga ·ˈMa Ga re Ni• Sa
Aaroh (Ascending)
Sa re Ga ˈMa Dha Ni •Sa
Avroh (Descending)
•Sa Ni Dha ˈMa Ga re Sa
Vadi (Key Note)
Ga
Samvadi
Ni
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Rules
- Uses komal Re (r) and tivra Ma (M)
- P is varjit (omitted) from both directions
- G (vadi) and N (samvadi) are prominent — differ from Marwa (which has D as vadi)
- Same notes as Marwa but different emphasis and chalan
- The N r G ascending phrase is the hallmark
- Evening raga — restless, intense quality
Key Phrases
N. r G M G r N. SS r G M D N ṠṠ N D M G r Sr G M D NG M G r N. S