Riyaz

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Puriya

पूरिया

MarwaIntense, restless

Musical Structure

Pakad (Signature)
 Ni  re  Ga ·ˈMa  Ga  re  Ni Sa 
Aaroh (Ascending)
 Sa  re  Ga ˈMa  Dha  Ni Sa 
Avroh (Descending)
Sa  Ni  Dha ˈMa  Ga  re  Sa 

Vadi (Key Note)
 Ga 
Samvadi
 Ni 

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Rules

  • Uses komal Re (r) and tivra Ma (M)
  • P is varjit (omitted) from both directions
  • G (vadi) and N (samvadi) are prominent — differ from Marwa (which has D as vadi)
  • Same notes as Marwa but different emphasis and chalan
  • The N r G ascending phrase is the hallmark
  • Evening raga — restless, intense quality

Key Phrases

N. r G M G r N. SS r G M D N ṠṠ N D M G r Sr G M D NG M G r N. S

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