Riyaz

रियाज़
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Yaman

यमन

KalyanRomantic, peaceful

Musical Structure

Pakad (Signature)
 Ni  Re  Ga · Re  Ga ˈMa  Dha  Ni Sa 
Aaroh (Ascending)
 Sa  Re  Ga ˈMa  Dha  Ni Sa 
Avroh (Descending)
Sa  Ni  Dha  Pa ˈMa  Ga  Re  Sa 

Vadi (Key Note)
 Ga 
Samvadi
 Ni 

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Rules

  • Always use tivra Ma (M) — shuddh Ma is never used
  • Pa is omitted in aaroh; used freely in avroh
  • Phrase from N. R G is the hallmark opening
  • G (vadi) and N (samvadi) should receive maximum emphasis
  • Avoid direct S-P movement in ascending — approach via M

Key Phrases

N. R G R SR G M D N ṠG M D N D PP M G R SN. R G M P D N Ṡ

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